ABSTRACT
When it comes to architecture, the layout and concept of most residential designs have remained the same as centuries ago. There has been this unspoken rule that there’s always someone, the woman, who is staying home to take care of children and the house while the man is outside providing for his family.
While this practice has been outdated for many decades in most countries, most societies lack suitable housing and childcare support for single women or widows. When these women cannot find a space that allows them to do both affordably, many women have no other option than stay in poorly constructed housing and not work to be able to raise their children.
This thesis proposes a reconfiguration of a Caravanserai, an abandoned historic architecture in Isfahan, Iran. Once used as shelter for travelers along the Silk Road, the readaptation of this structure as a residence and workplace for single women and widows bestows upon this landmark a reimagining of Persian architectural tradition while addressing a social issue. By implementing elements such as light, textiles and pattern design to soften the edges of this imposing structure, once associated with political and masculine power and trade, the design concept and layout offers both practical and symbolic empowerment for disenfranchised women.
THE CHALLENGES:
NATURAL DISASTERS
When it comes to Iran, different elements are playing a huge role in the lack of good and affordable housing. The most important one being natural disasters. Iran is a country that due to its geographical location and bad management, faces many flooding and earthquakes throughout the year. On average every year in Iran 2,900 people lose their lives due to natural disasters. In addition, 1,500,000 people are affected by the consequences of these disasters. The most important and notable natural disasters in Iran are earthquakes, flooding, and drought. Out of all the natural disasters in Iran between 1970 and 2010, 61 percent were caused by flooding, while 28 percent were earthquakes.
Last year heavy rain began in mid-March in the northeastern province of Golestan, which received 70 percent of its average annual rainfall in one day. The flooding steadily spread across the nation, inundating communities in at least 26 of Iran’s 31 provinces. During this flooding, 2,193 people were injured, and 85 died. Over 56,000 people have been affected in various cities and rural areas in the two provinces as a result of heavy rainfall.
In addition, when these disasters do happen, due to weak constructions and cheap designs; while a great number of houses are destroyed, the affordable housing projects done by the government are the ones that get seriously damaged. Considering the fact that people who live in these affordable housing projects, usually do not have the resources to repair their houses or buy a new one, they have no other option but to settle for shelters.
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▲ Flood Zone Map in Iran
GENDER INEQUALITY
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▲ 6 Years and Older Educated in Urban Areas
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▲ 6 Years and Older Educated in Rural Areas
One group of these people who faces the most hardship are single women and widows. Unfortunately, due to gender inequality in the country, women are not capable of living to their full potential. Although women are more than 50% of universities graduate, their participation rate in the workforce is only 17%.
In addition, when it comes to renting a place for themselves, many landlord are not willing to rent their houses to women who have no male figure in their lives. That causes these women to have a hard time finding a place to live by themselves. On top of that, for women who have children usually, childcare is not supported in their workplace or is very expensive. As a result, many of these women are forced to stay in and raise their kids.
THE SITE:
SHEIKH ALI KHAN ZANGANE CARAVANSERAI
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In the Safavid period, roads and communication paths were very important and, since at the time, Isfahan was the capital, thus many Caravanserais were built along the roads leading to the city. The Caravanserai is the main element of the historical road in Iran, were not only a simple place for travelers to rest and keeping safe their belongs but were also a meeting point for travelers, merchants, scientists, and many other scholars who wanted to exchange knowledge and ideas, as well as discover new civilizations.
One of these Caravanserais is Sheikh-Ali khan Caravanserai. The building is 82 Meters by 82 Meters, and the length of its courtyard from east to west is about 50 meters and, its width from north to south is about 38 meters. In the southern part of the building, you can see the main entrance of the Caravanserai and according to the inscription, it has been built in 1687. Sheikh-Ali khan caravanserai can be called Royal because sometimes even the Safavid kings stayed there for a while.
It worth mentioning that Caravanserai comes from Farsi and, it's made out of two words. Caravan which, means the traveler and Serai which, means shelter. And so they were a place to shelter the travelers. Therefore I have decided to name my project Banoo-Serai. Banoo in Farsi means females, and therefore now this building is a shelter for women.
THE INTERVENTION
This thesis is heavily focused on designing a space that allows women to live, work, and simply just grow. Banoo serai will be a space that will allow women to establish a community that not only empowers women but also helps them to feel safe and a part of a big family.
The most essential aspect of the project was to adapt this historical site into housing for women. A Caravanserai which used to belong to Safavid king, a structure that represents masculine and political power, now it’s going to represent women. A group that was always looked down upon. The intention is to design a space that could support women to become equals.
Another significant part of this project is the studios. Most of these women are artists that their work is going unrecognized. This thesis hopes that by providing them a space to work or learn from others, they be able to make money and also to receive the recognition that they deserve. In addition, it worth mentioning the techniques that they use for their handcraft are part of an ancient and vibrant culture and it’s essential to be preserved. The core goal of this project is not only to preserve the building, but also the culture. By accomplishing that, many people can be preserved as well.
While the primary focus of this project is the women, the children deserved as much attention as possible. While the small village provides K-12 public schools for all, providing a specific space for them was significant. As a result one of the private courtyards and its surrounding rooms were completely dedicated to the children. The goal was to provide them with a space that they can play, read, be creative, and learn as a group.
Finally, as was mentioned the main goal of this project is to create a co-housing space that will allow the focus group to live and work while keeping the structure as self-sufficient and affordable as possible. For that reason, every intervention has been designed with that intention in mind. Fortunately, the structure itself has been constructed perfectly appropriate for its environment, which is dry and hot during summer and cold during the winter, and thus does not require many alternations to make it more sustainable. That being said, considering that this building has been a shelter for travelers to stay for only a short period of time and now it’s being transformed to a co-housing space for women to stay for several years there was a need for some changes in the layout of the building.
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WAYS TO INCREASE NATURAL LIGHT
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▲ Using sun tube for interior rooms
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▲ Using sun tube for interior rooms
LOUNGE AREA
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After entering the main courtyard, women will move towards the four different lounge areas that are at the four corners of the building based on the location of their bedroom. This area will work as a semi-public space which creates this sense of neighborhood for the women of that so-called block.
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STUDIO SPACE
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Moving on, there will be the studio spaces that are once again semi-public. While each woman has their studio area, they will be able to see one another and communicate while working on their projects. That being said, to create a sense of privacy, for the times that someone needs some alone time or simply at nights, a frame has been designed that will allow women to open and close their studio and bedrooms based on their needs. The frame has been specifically designed in this orientation so while women can close their own private space, the shared corridor stays open in case the person who lives at the far end of the hallway needs to access the lounge and the rest of the building during those hours.
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FINAL PRODUCT
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While many elements have been added to the building to make it liveable for these women, I wanted to leave it as open to interpretation as possible. That way not only it will stay an affordable project, but it additionally will allow the women to shape the building in a way that will work for them and they will be comfortable in.
I hope that since there are many Caravanserai throughout my country and while some of them cant be used since they are either turned into tourist sites and are historically persevered or are too damaged to be affordable preserved, there are still many that can be turned into a project such as this to help the ones in need.
I hope for this project to be used as a prototype that can be replicated, especially since most of the caravanserai share the similar type of floor plans. I want to see the day that affordable housing equals high-quality living.
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ANNONTATED BIBILOGRAPHY
- Last name, First name. “Title of Article.” Journal Title ##, no. # (Year of publication): page number. Accessed date. URL.
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- Last name, First name. Title of Book. Edited by First name Last name. Place of publication: Publisher, Year of publication.
Lorem ipsum dolor sit amet, consectetur adipiscing elit, sed do eiusmod tempor incididunt ut labore et dolore magna aliqua. Ut enim ad minim veniam, quis nostrud exercitation ullamco laboris nisi ut aliquip ex ea commodo consequat. Duis aute irure dolor in reprehenderit in voluptate velit esse cillum dolore eu fugiat nulla pariatur. Excepteur sint occaecat cupidatat non proident, sunt in culpa qui officia deserunt mollit anim id est laborum. - Last name, First name. Title of Book. Place of publication: Publisher, Year of publication.
Lorem ipsum dolor sit amet, consectetur adipiscing elit, sed do eiusmod tempor incididunt ut labore et dolore magna aliqua. Ut enim ad minim veniam, quis nostrud exercitation ullamco laboris nisi ut aliquip ex ea commodo consequat. Duis aute irure dolor in reprehenderit in voluptate velit esse cillum dolore eu fugiat nulla pariatur. Excepteur sint occaecat cupidatat non proident, sunt in culpa qui officia deserunt mollit anim id est laborum.
- Last name, First name. “Title of Web Page.” Name of Website. Publishing organization, publication or revision date if available. Access date if no other date is available. URL .
Lorem ipsum dolor sit amet, consectetur adipiscing elit, sed do eiusmod tempor incididunt ut labore et dolore magna aliqua. Ut enim ad minim veniam, quis nostrud exercitation ullamco laboris nisi ut aliquip ex ea commodo consequat. Duis aute irure dolor in reprehenderit in voluptate velit esse cillum dolore eu fugiat nulla pariatur. Excepteur sint occaecat cupidatat non proident, sunt in culpa qui officia deserunt mollit anim id est laborum.
Endnotes
ENDNOTES
- First name Last name, “Article Title,” Journal Title ##, no. # (Year of publication): page number.
- First name Last name, Title of Book (Place of publication: Publisher, Year of publication), page number.
- First name Last name, “Title of Web Page,” Name of Website, Publishing Organization, publication or revision date if available, access date if no other date is available, URL.
