Juhee Cho

MDes Interior Architecture

fallen leaves: the unseen, forgotten presences that live in us

The fallen leaf is a material figure of what has made us and holds us still, beyond our sight, forgotten. In urban environments, fallen leaves are managed as seasonal waste, collected and quickly separated from everyday encounter. Yet within ecological systems, they continue to participate in cycles of regeneration, becoming the soil that sustains new life. This quiet continuation is unusually unavailable to the eye, yet known by the body.

What memory cannot hold, what the mind does not notice, the body sometimes can.

Within Fallen Leaves, leaf-litter is not cleared but here, a place where the body can follow the leaf's slow undoing into ground and remember what the mind has not held. The leaf's transformation is felt not by the mind first but by the hand, in the curling fiber, wearing out, the deepening brown, the scent of slow composting. Through these encounters, an embodied knowing of time emerges: one in which ending and continuation are not opposites but phases of one motion. What we call litter, ending, or absence is presence taking another form.

The proof of every presence that has made, and continues to hold, the presence we are now, is here as fallen leaves and you.

Image

a small pile of fallen leaves rotated to hang vertically — crimson at the top, fading to dried green and pale yellow below — against a soft gray background.

fig 1. holding: fallen leaves. 
digital collage. pile of sugar maple leaves.

fig 2. leaves that wave. 
sculpture made with fallen leaf bio-composite. leaf litter from Benefit Street, methylcellulose. charcoal drawing of falling leaf.

Image

a poem laid out on a page with a soft sage-gray background, left-aligned in a serif typeface. Title at top reads "leaves that wave (2025)," with materials listed below in italics.

fig 2.1. leaves that wave 
2025
poem and heart of the installation in fig 2.

Image

Three curled forms made of leaf bio-composite, warm brown and translucent in places,  arranged against a black background. They twist and coil at different angles, overlapping slightly.

fig 3-1. fallen-leaf-curling. 
leaf litter bio-composite.

Image

Stacked pieces of leaf bio-composite, warm brown with a glossy, textured surface. The top piece rises to a peak; the lower pieces curl.

fig 3-2. fallen-leaf-stacking. 
leaf litter bio-composite.

Image

a close-up of layered fallen-leaf bio-composite pieces, warm brown and glossy with a pitted surface. Curled edges create spaces between layers.

fig 3-3. fallen-leaf-layering. 
leaf litter bio-composite.

Image

a sheet of fallen-leaf bio-composite stands upright on a white surface. Brown and fibrous in the center, with translucent, lace-like edges full of small holes.

fig 3-4. a sheet of 'fallen-leaf'. 
leaf litter bio-composite

Image

a silkscreen print of thirteen threadbare leaves arranged in loose rows, each curled differently. Colors shift from deep red at the top to warm amber at the bottom.

fig 4. falling, curling, to decaying. 
silkscreen print on bristol paper. 

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