Spencer Peterson

Sous-bois

"A simultaneous obsession with flatness and depth."

The forest floor as a metaphor for embryonic non-linear space.

A study of the adaptive effects of the collapse between image and object by focusing on the interaction between furniture design, media theory and theatrical set construction. Using a practice-based approach that results in a series of highly compressed theatrical objects, filtered through a lens of density, l a y e r i n g, and replication and replication.

Sous-Bois Chair (a mediated version of sitting on the ground) 
Images laminated into fiberglass panels, Douglas Fir, steel hardware, lacquer.

Latency Chamber #2
Steel cube, image transfer, alarm clock, 220 degree peephole, hardware

Heaven and Earth Lamp
Cherry, fiberglass, polished concrete, steel hardware, bug light.

A greenhouse is nature in a box.  

Camera Irritants #1 and #2
(The camera) Cast fiberglass, collage, paint

If it is true that our reality has been embezzled, what might it look like to antagonize the thief?